Manufactured in Detroit, CDR's unique game is made for the big stage
DETROIT -- Every day after school, Chris Douglas-Roberts would walk the short distance from his home in crumbling southwestern Detroit to Kronk Gym.
Kronk was a famous training ground for boxers, producing world champion Thomas "Hit Man" Hearns and dozens of other great fighters. Sometimes Douglas-Roberts would hit the speed bag or pound the heavy bag, but never for long. He always gravitated upstairs from the spartan boxing gym to the basketball court. That section of Kronk became a training ground, too. It helped produce the most exotic and eccentric game of any player still balling in this NCAA tournament.
That much is true. There are drop-dead shooters such as Stephen Curry and Chris Lofton in this Sweet 16, but there is nobody with quite the same squirrelly knack for spinning the ball into the basket as Douglas-Roberts. He has to lead the country in how'd-he-do-that points.
He shoots leaners. He shoots floaters. He shoots off one foot. He flips shots under arms, lofts them over hands, smooches them off the glass with extra English. He twists around defenders, dribbles past them, shoots over them, goes left, goes right, reverse-pivots and scores the opposite way. He scores off contact, scores off rebounds, scores off-balance. You think you have him stopped, and next thing you know he has found some funky formula for dropping two points on your head.
"It's real tough to stick him, I'll have to say," Rose said. "I'm happy I'm on his team." Douglas-Roberts' flat-trajectory jumper will never make it into an instructional video. But if you want to see an expert of manufacturing points from every conceivable angle and style, this is your guy.When it comes to offense, CDR stands for Completely Different Repertoire.
"I never worked on it," Douglas-Roberts said last week in North Little Rock, Ark. "I just have an unorthodox kind of game from Detroit that everybody from Detroit has. We like to create our own shot and shoot a lot of scoop shots and in-between shots."
I just have an unorthodox kind of game from Detroit that everybody from Detroit has. We like to create our own shot and shoot a lot of scoop shots and in-between shots.
--Chris-Douglas-Roberts
He works on his unique technique now. CDR said he's been spending a little extra time lately on the floater, a midrange shot that keeps him out of danger of charging by driving too far to the hole.
Who, he was presciently asked, works on a floater nowadays? And why? "I feel all guards should have an in-between game," Douglas-Roberts said, sounding like an old man with old-man tricks.The 6-foot-7 junior is, in fact, happy to be considered something of a throwback. He'll cite some fairly ancient role models.
He watched old tapes of Earl "The Pearl" Monroe, who attained legend status in part because of his spin move. "My father was a fan," Douglas-Roberts said. "I got ahold of some old tapes. That was my first little glimpse of basketball."He also dug the finger-rolling ways of fellow Detroiter George Gervin, one of the all-time great unconventional scorers.
Mostly, though, Douglas-Roberts was just looking for a way to stay on the court at Kronk. He started playing there when he was 8 years old -- every day until it was dinner time. "I lived in there," he said. "My mother gave me a lot of freedom to play ball. I played one-on-one with Tommy Hearns, seen Mike Tyson. I've seen 'em all. They'd come up and try to play a little ball. They think they can play. They were terrible." Not everyone was. The hoops competition was fierce, and the wait to play again if your team lost could get long. Whatever it took to keep playing -- and to get the ball in the hole."I never played with my age group," CDR said. "Never. I always played with my brother [Jason, now 30] and older players. It just instills the toughness in you. That's all they cared about, being tough. I worked on skill. I was blessed with a different type of game."

Pat Forde is a senior writer for ESPN.com. He can be reached at ESPN4D@aol.com.




