McCartney sticks to reserved script


Nobody, but nobody was worried when Paul
McCartney stripped off his jacket midway through his halftime
performance at the Super Bowl.

All he revealed was a long-sleeved red shirt. Nothing
malfunctioned. And if he wore any nipple jewelry, he mercifully
kept it to himself.

NFL officials wanted a safe halftime show after last year's
Janet Jackson fiasco, and McCartney delivered. It was sweet
nostalgia for the people stunned by Jackson's MTV-produced
spectacle, if a bit off-putting for the kids: Each of his four
songs was more than 30 years old.

Surely you recall last year's climax to a body-shaking,
crotch-grabbing festival: Justin Timberlake yanking part of
Jackson's top off to reveal her bare breast to some 90 million

McCartney's stage set -- a giant cross of video boards on the
stadium floor with the singer at the center -- was visually
arresting, although it made his opening song, "Drive My Car,"
look like one of the broadcast's dozens of auto commercials.

McCartney's theatrical James Bond theme "Live and Let Die" was
a perfect backdrop for a stadium fireworks show. The lights,
placards and video images also made "Hey Jude" a sight to see,
although it was odd to see the red, white and blue placards co-opt
one of the original British musical invaders for an all-American

There wasn't any danger of a lip-synch controversy, either. You
could tell it was the lived-in voice of a 62-year-old singing.

It was strange seeing the former Beatle, a bold and shocking
performer for another generation, now presented as the sedate
option. NFL censors were probably hoping the "California grass"
reference in "Get Back" slipped by unnoticed, or figured people
would think he was simply referring to a football field.

Another irony: The overwhelmingly safe and patriotic musical
presentations before and during the game appearing on the usually
envelope-pushing Fox network, while last season's shocker came on
fogey-friendly CBS.

The closest thing to a wardrobe malfunction during all the
performances came courtesy of country singer Gretchen Wilson's
guitar player during a pregame performance. His jeans had a
strategically placed rip in the crotch.

Also before the game, Alicia Keys oozed both class and chops as
she took a creepy concept -- a duet with the late singer Ray Charles
on one of his signatures, "America the Beautiful" -- and made it
work wonderfully. A picture of Charles singing appeared on the
stadium scoreboard screens.

The pregame show was a mixture of old and new schools, with
country, rap and soul. Wilson brought out white-bearded fiddle
player Charlie Daniels, and the Black Eyed Peas had Earth, Wind &
Fire along to sing "Shining Star."

Although with the NFL watching so closely, it's a wonder how
Wilson's "Here For the Party" managed to slip through.

"Gonna have a little fun," she sang. "Gonna get me some."

One can almost hear the small voices in living rooms across the
country: "Daddy, what does 'get me some' mean?"

"Some chips, honey. Now pass the salsa and quiet down."